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Composers for both films found ways to incorporate period pieces into their music, underscoring their historic feel. We are given a more accurate portrait of true Georgian life, rather than the shiny image we like to imagine.Īnd yet, perhaps this adds to the realism of the piece, as if, some how, these characters might be real people, their pain and triumphs as deeply felt as yours or mine. Pigs do wander into gardens and people do forget to comb their hair. As in Nick Dear’s 1995 version of Persuasion, Joe Wright has chosen to show us less of the “light, bright and sparkling” and more of the grime of life.
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Often we are treated to piano solos, which become Elizabeth Bennet’s voice on her journey towards self discovery. Since the film is set in 1797, the same year that Jane Austen wrote the first draft of Pride and Prejudice, Marianelli found inspiration not only in the composers of the time, but also in dances, chamber pieces and Beethoven’s piano Sonatas.Īt times haunting and lonely, at others lilting and flirtatious, his music is the perfect accompaniment to Jane’s own “two or three families in a country village.” In keeping with that feeling,Marianell never uses more than three or four instruments at a time, performed by French pianist Jean-Yves Thibaudet and the English Chamber Orchestra. Wright wanted music that would sound appropriate for the period-something Jane Austen herself, might have listened to or played music that would seem not to be written for the movie, but taken from life. By Dario Marianelli Before filming ever began on Joe Wright’s Pride and Prejudice, he knew the type of soundtrack he wanted-and he knew who he wanted to write it: Dario Marianelli, best known for his scores for The Brothers Grimm and I Capture the Castle.